Abstract
Synthesised data is a common strategy to address the lack of annotated handwritten music scores in Optical Music Recognition (OMR). Smashcima is a recent synthesis framework that assembles pages of handwritten scores by sampling glyph images from MUSCIMA++ and positioning them with hard-coded rules. In this work we ask whether these rules are grounded empirically and whether a learned model for context-dependent positioning can further improve synthesis quality. We extract inter-glyph distributions from around 285 thousand annotated relationships across MUSCIMA++ and OmniOMR, finding that several key parameters deviate systematically from real handwriting. Replacing these constants with empirical means reduces positioning RMSE by up to 60%. We then train a Graph Neural Network (GNN) on the Music Notation Graph structure to predict context-dependent offsets, achieving an additional 50 to 85% RMSE reduction on stems and beams by modelling how neighbouring glyphs constrain placement. Cross-dataset analysis shows that spacing differences between the two corpora are explained by note density (3.3), not style, and that duration-proportional spacing does not hold in handwriting (R2 = 0.001). In downstream evaluation, a YOLOv8 detector pretrained on GNN-positioned synthetic data achieves +30% mAP50 over the baseline and +11% over empirical means when fine-tuned on 200 real handwritten staves, showing that positioning accuracy matters for downstream OMR.
Abstract (translated)
URL
https://arxiv.org/abs/2610.28899
