Abstract
Objective: This paper investigates the gendered structure of speaker addressee relationships in film dialogue, asking not merely who speaks, but who is spoken to and how conversational dynamics unfold across gender lines. Methods: Using a manually annotated dataset of 4,600 directed dialogue events from 38 film screenplays, we apply network analysis, chi squared tests, paired statistical comparisons, and participation shift analysis across three studies. Key Findings: Male characters dominate as both speakers and addressees corpus wide, even in scenes with more women; cross gender dialogue is directionally symmetric on average but clustered at the film level; and same gender turns diffuse conversational attention while cross gender turns produce tighter dyadic reciprocation. Conclusion: Gender bias in film dialogue operates through the architecture of conversation itself, through exclusion from interaction and structural positioning as addressees, rather than through speaking time or within conversation directional imbalance alone.
Abstract (translated)
URL
https://arxiv.org/abs/2607.22656
